The passing of Neil Peart seems to have lit a very brief fire from the Cygnus label and this is the third new Rush release in a relatively short time. With new Rush releases on pressed disc being few and far between these days I was only moderately excited about this release since it featured material already in my collection. I was very much hoping they were going to press the Springfield 1976 recording as a new transfer directly from the master tape appeared on a couple torrent sites recently and is a major upgrade to what has circulated before. The subject of this new review is for the Definitive Philadelphia 1986 2nd Night in which Cygnus revisits the Philadelphia 86 soundboard they previously released on Power Run (Cygnus 008/009).
Having developed some instrumental skills and music industry experience,[6] and wanting to do more vocal work,[7] Leeb decided to take the risk of starting his own project.[4][8] Leeb decided to call the project Front Line Assembly to reflect his belief that strength lies in working together.[7]
project 86 discography torrent
Although being established as a largely industrial project, the band is known to take liberty in adapting their sound across many of their releases over the years. The band's early catalogue has been largely described as electronic body music, industrial and electro-industrial from Total Terror to Gashed Senses and Crossfire. Rhys Fulber has featured as a prominent collaborator with Leeb across many FLA releases, as both found they have a shared interest in electronic music. Fulber officially replaced longtime member Michael Balch on Caustic Grip, who was busy with other projects at the time. Fulber has since worked on and off with the band across several releases, he rejoined as a member in 2014.
The standard for Magnet URIs was developed by Bitzi in 2002, partly as a "vendor- and project-neutral generalization" of the ed2k: and freenet: URI schemes used by eDonkey2000 and Freenet, respectively, and attempts to follow official IETF URI standards as closely as possible. BitTorrent introduced the btmh: protocol in 2020 as part of its BitTorrent v2 changes.[1]
The xt parameter specifies the URN for a given p2p protocol. Its purpose is to provide a search parameter for finding the metadata to the torrent. This effectively acts as a replacement to a .torrent file, which itself contains the torrent metadata, by instead searching the p2p network (using the URN) for that metadata. Each protocol handles a URN uniquely; for example, xt=urn:btih:FFC7E738EAA4CD4ECF51EC6FD669C6CDE2C281A8 uses the btih (BitTorrent v1 protocol), so a BitTorrent client can take the hash and lookup the torrent's metadata in the BitTorrent DHT.[6] In the case of DHT the client searches through a set of pre-known nodes and requests the metadata for an infohash; those nodes will make the same request to other known nodes until eventually a swarm is found and returned.
The Replacements were an American rock band formed in Minneapolis, Minnesota, in 1979. Initially a hardcore punk band, they are one of the main pioneers of alternative rock. The band was composed of the guitarist and vocalist Paul Westerberg, guitarist Bob Stinson, bass guitarist Tommy Stinson and drummer Chris Mars for most of its existence. Following several acclaimed albums, including Let It Be and Tim, Bob Stinson was kicked out of the band in 1986, and Slim Dunlap joined as lead guitarist. Steve Foley replaced Mars in 1990. Towards the end of the band's career, Westerberg exerted more control over the creative output. The group disbanded in 1991, with the members eventually pursuing various projects. A reunion was announced on October 3, 2012.[8] Fans affectionately refer to the band as The 'Mats, a nickname that originated as a truncation of "The Placemats," a mispronunciation of their name.[9]
The discography of American R&B and jazz singer Chanté Moore consists of six studio albums, two collaborative albums, twenty-three singles, twenty collaborations and eleven music videos. Moore has had four record deals with MCA Records, Arista Records/LaFace Records, Peak Records and Shanachie Records, before founding CM7 Records.
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